This book argues that US theatre in the 20th century embraced the theories and practices of internationalism as a way to realize a better world and as part of the strategic reform of the theatre into a national expression. Live performance, theatre internationalists argued, could represent and reflect the nation like no other endeavour.
Keywords
International Performance Nationalism and theatre twentieth-century performance 20th century argue Hamlet nation nationalism performance reform stage theatre
Bibliographic information
DOIhttps://doi.org/10.1057/9781137543301
Copyright InformationThe Editor(s) (if applicable) and The Author(s) 2015