© 2015

Post-Yugoslav Cinema

Towards a Cosmopolitan Imagining


Table of contents

  1. Front Matter
    Pages i-ix
  2. Dino Murtic
    Pages 1-7
  3. Dino Murtic
    Pages 20-35
  4. Dino Murtic
    Pages 74-85
  5. Dino Murtic
    Pages 86-123
  6. Dino Murtic
    Pages 124-160
  7. Back Matter
    Pages 180-207

About this book


Drawing primarily on selected filmic texts from former-Yugoslavia, the book examines key social and political events that triggered the Yugoslav wars in the 1990s. Yugoslav politics and society are set within the broader artistic and cinematic strategies that helped stabilise post-Yugoslav territories strategies that were part of the national desire of looking forward to a time of 'perpetual peace' and its subsequent cosmopolitan norms. It argues that filmic texts demonstrate the degree to which nationalism was at the heart of the violent disintegration of Yugoslavia. Yet, the concern of the argument is not simply to offer a filmic critique but to develop an alternative to nationalism; namely, a theoretical framework through which cosmopolitan humanism is at the forefront of addressing former Yugoslavia's political wounds.


Yugoslav Wars 1991-1995 Sarajevo Post-Yugoslav Cinema Socially engaged cinema Cosmopolitanism Kusturica Emir Zbanic Jasmila Tanovic Danis European cinema cinema drawing

Authors and affiliations

  1. 1.University of South AustraliaAustralia

About the authors

Dino Murtic teaches Critical Literacy, Information Skills and Film courses at the University of South Australia.

Bibliographic information