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Table of contents

  1. Front Matter
    Pages i-xvii
  2. Introduction

    1. Stuart Grant, Jodie McNeilly, Maeva Veerapen
      Pages 1-22
  3. World • Space • Place

    1. Front Matter
      Pages 23-23
    2. Jeff Malpas
      Pages 25-36
    3. Amanda Yates, Gemma Loving-Hutchins
      Pages 37-52
    4. John Di Stefano, Dorita Hannah
      Pages 53-64
    5. Ian Maxwell
      Pages 65-76
    6. Jeff Stewart
      Pages 77-87
  4. Self • Movement • Body

    1. Front Matter
      Pages 89-89
    2. Brian Massumi
      Pages 91-100
    3. Jack Reynolds
      Pages 101-113
    4. Lanei M. Rodemeyer
      Pages 129-138
    5. Maeva Veerapen
      Pages 139-149
  5. Image • Performance • Technology

    1. Front Matter
      Pages 151-151
    2. Jodie McNeilly
      Pages 153-167
    3. Karen Pearlman, Richard James Allen
      Pages 168-179
    4. Adrian Martin
      Pages 180-189
    5. Barry Laing
      Pages 203-210
  6. Apotheosis

    1. Front Matter
      Pages 211-211
    2. Alphonso Lingis
      Pages 230-242
  7. Back Matter
    Pages 243-247

About this book

Introduction

Performance and Temporalisation features a collection of scholars and artists writing about the coming forth of time as human experience. Whether drawing, designing, watching performance, being baptised, playing cricket, dancing, eating, walking or looking at caves, each explores the making of time through their art, scholarship and everyday lives.

Keywords

Performance Philosophy Performance and Time 15th century art body cinema corpus dancing drawing experience Greek Martin Heidegger proposition space structure William James writing

Editors and affiliations

  • Stuart Grant
    • 1
  • Jodie McNeilly
    • 2
  • Maeva Veerapen
    • 3
    • 4
  1. 1.Monash UniversityAustralia
  2. 2.Centre for the Philosophy and Phenomenology of ReligionAustralian Catholic UniversityMelbourneAustralia
  3. 3.University of MauritiusMauritius
  4. 4.Open University of MauritiusMauritius

Bibliographic information