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Theodor Adorno and Film Theory

The Fingerprint of Spirit

  • Authors
  • Brian Wall

Table of contents

  1. Front Matter
    Pages i-xi
  2. Brian Wall
    Pages 1-5
  3. Brian Wall
    Pages 7-38
  4. Brian Wall
    Pages 39-74
  5. Brian Wall
    Pages 75-115
  6. Back Matter
    Pages 153-173

About this book

Introduction

What is the fundamental nature of the filmic object: is it a commodity or is it, can it be, art? What would that mean - can it still matter? This book introduces the thought of Theodor Adorno into film studies to repair the schism that characterizes the field, as historical and cultural modes of analysis displace theoretical and philosophical ones.

Keywords

cinema film film theory

Bibliographic information