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The Symbolic, the Sublime, and Slavoj Žižek’s Theory of Film

  • Authors
  • Matthew Flisfeder

Table of contents

  1. Front Matter
    Pages i-xi
  2. Matthew Flisfeder
    Pages 1-14
  3. Matthew Flisfeder
    Pages 15-39
  4. Matthew Flisfeder
    Pages 41-66
  5. Matthew Flisfeder
    Pages 67-93
  6. Matthew Flisfeder
    Pages 95-103
  7. Matthew Flisfeder
    Pages 105-131
  8. Matthew Flisfeder
    Pages 133-159
  9. Back Matter
    Pages 169-195

About this book

Introduction

Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj Žižek's theory of film aims to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics.

Keywords

argue cinema film film theory ideology politics realism subject

Bibliographic information