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  • © 2017

Digital Bodies

Creativity and Technology in the Arts and Humanities

Palgrave Macmillan
  • Draws from digital technology research to explore our ideas of the body and creativity in a new light
  • Explore the possibility of a new, and virtual, sense of embodied self
  • Maps the synergies and differences in the theorisation of the body and technology
  • Includes supplementary material: sn.pub/extras
  • Includes supplementary material: sn.pub/extras

Part of the book series: Palgrave Studies in Performance and Technology (PSPT)

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Table of contents (17 chapters)

  1. Embodied Interaction: Digital Communication and Meaning Making in the Social Sciences

    1. Playing at Doctors and Nurses: Technology, Play and Medical Simulation

      • Caroline Pelletier, Roger Kneebone
      Pages 235-251
  2. Back Matter

    Pages 267-270

About this book

​This book explores technologies related to bodily interaction and creativity from a multi-disciplinary perspective. By taking such an approach, the collection offers a comprehensive view of digital technology research that both extends our notions of the body and creativity through a digital lens, and informs of the role of technology in practices central to the arts and humanities. Crucially, Digital Bodies foregrounds creativity, the interrogation of technologies and the notion of embodiment within the various disciplines of art, design, performance and social science. In doing so, it explores a potential or virtual new sense of the embodied self. This book will appeal to academics, practitioners and those with an interest in not only how digital technologies affect the body, but also how they can enhance human creativity.

Editors and Affiliations

  • Brunel University, Uxbridge, United Kingdom

    Susan Broadhurst

  • University College London, London, United Kingdom

    Sara Price

About the editors

Susan Broadhurst is Professor of Performance at Brunel University, UK, as well as a writer and performance practitioner. She has published widely, focusing on the interrogation of the body through the medium of technologically informed Arts and Performance practices. Susan is co-editor of the Palgrave Studies in Performance and Technology series and of the EBSCO-indexed Body, Space & Technology online journal.


Sara Price is Professor of Digital Learning at University College London, UK. She has extensive experience in Human Computer Interaction, and has published widely on the design, development and evaluation of emergent digital technologies for learning. She is joint editor for the British Journal of Educational Technology, and lead editor of the SAGE Handbook of Digital Technology Research.

Bibliographic Information

Buy it now

Buying options

eBook USD 99.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book USD 129.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book USD 129.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access