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Propaganda and Hogarth's Line of Beauty in the First World War

  • Authors
  • Georgina Williams

Table of contents

  1. Front Matter
    Pages i-xi
  2. Georgina Williams
    Pages 1-12
  3. Georgina Williams
    Pages 41-68
  4. Georgina Williams
    Pages 125-158
  5. Georgina Williams
    Pages 159-165
  6. Back Matter
    Pages 167-176

About this book

Introduction

Propaganda and Hogarth’s ‘Line of Beauty’ in the First World War assesses the literal and metaphoric connotations of movement in William Hogarth’s eighteenth-century theory of a ‘line of beauty’, and subsequently employs it as a mechanism by which the visual propaganda of this era can be innovatively explored. Hogarth’s belief that this line epitomises not only movement, but movement at its most beautiful, creates conditions of possibility whereby the construct can be elevated from traditional analyses and consequently utilised to examine movement in artworks from both literal and metaphorical perspectives. Propagandist promotion of an alternate reality as a challenge to a current ‘real’ lends itself to these dual viewpoints; the early years of the twentieth century saw growth in the advertising of conflict via the pictorial poster, instigating intentionally or otherwise an aesthetic response from soldier-artists embroiled on the battlefields. The ‘line of beauty’ therefore serves as a productive mechanism by which this era of propaganda art can be appraised.

Keywords

William Hogarth History of conflict Propaganda World War One Art history

Bibliographic information

  • DOI https://doi.org/10.1057/978-1-137-57194-6
  • Copyright Information The Editor(s) (if applicable) and The Author(s) 2016
  • Publisher Name Palgrave Macmillan, London
  • eBook Packages History
  • Print ISBN 978-1-137-57193-9
  • Online ISBN 978-1-137-57194-6
  • Buy this book on publisher's site