Gender and Representation in British ‘Golden Age’ Crime Fiction

  • Megan Hoffman

Part of the Crime Files book series (CF)

Table of contents

  1. Front Matter
    Pages i-x
  2. Megan Hoffman
    Pages 1-14
  3. Megan Hoffman
    Pages 15-37
  4. Megan Hoffman
    Pages 113-156
  5. Megan Hoffman
    Pages 157-189
  6. Megan Hoffman
    Pages 191-193
  7. Back Matter
    Pages 195-206

About this book

Introduction

This book provides an original and compelling analysis of the ways in which British women’s golden age crime narratives negotiate the conflicting social and cultural forces that influenced depictions of gender in popular culture in the 1920s until the late 1940s. The book explores a wide variety of texts produced both by writers who have been the focus of a relatively large amount of critical attention, such as Agatha Christie, Dorothy L. Sayers and Margery Allingham, but also those who have received comparatively little, such as Christianna Brand, Ngaio Marsh, Gladys Mitchell, Josephine Tey and Patricia Wentworth. Through its original readings, this book explores the ambivalent nature of modes of femininity depicted in golden age crime fiction, and shows that seemingly conservative resolutions are often attempts to provide a ‘modern-yet-safe’ solution to the conflicts raised in the texts.

Keywords

women femininity detective Agatha Christie Dorothy Sayers pop culture sleuth gender studies

Authors and affiliations

  • Megan Hoffman
    • 1
  1. 1.Independant ScholarSouthseaUnited Kingdom

Bibliographic information

  • DOI https://doi.org/10.1057/978-1-137-53666-2
  • Copyright Information The Editor(s) (if applicable) and The Author(s) 2016
  • Publisher Name Palgrave Macmillan, London
  • eBook Packages Literature, Cultural and Media Studies
  • Print ISBN 978-1-137-53665-5
  • Online ISBN 978-1-137-53666-2
  • About this book