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The Aesthetic Discourse of the Arts

Breaking the Barriers

  • Book
  • © 2000

Overview

Part of the book series: Analecta Husserliana (ANHU, volume 61)

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Table of contents (15 chapters)

  1. Inaugural Essay

  2. Section Two

  3. Section Three

Keywords

About this book

The fine arts first emerged divided by the five senses yet, since their very origin, they have projected aesthetic networks among themselves. Music, song, painting, architecture, sculpture, theatre, dance - distinct in themselves - grew together, enhancing each other. In the present outburst of technical ingeniosity, individual arts cross all barriers, as well as proliferate in kind. Hence the traditional criteria of appreciation and enjoyment vanish. The enlarged and ever-growing field calls for new principles of appreciation and new values, essential to our culture.
This collection initiates an inquiry into the aesthetic foundations of the fine arts. Their common aesthetic nature, as well as the differentiating specificities which sustain them, might reveal the universal role of aesthetics in human life.
Studies by Paula Carabell, J. Fiori Blanchfield, R. Riese Hubert, R. Gray, D. Lipten, J. Parsons, S. Brown, C. Osowie Ruoff, T. Raczka, K. Karbenier and others.

Editors and Affiliations

  • The World Phenomenology Institute, USA

    Anna-Teresa Tymieniecka

Bibliographic Information

  • Book Title: The Aesthetic Discourse of the Arts

  • Book Subtitle: Breaking the Barriers

  • Editors: Anna-Teresa Tymieniecka

  • Series Title: Analecta Husserliana

  • DOI: https://doi.org/10.1007/978-94-011-4263-2

  • Publisher: Springer Dordrecht

  • eBook Packages: Springer Book Archive

  • Copyright Information: Springer Science+Business Media Dordrecht 2000

  • Hardcover ISBN: 978-0-7923-6006-3Published: 31 May 2000

  • Softcover ISBN: 978-94-010-5847-6Published: 05 November 2012

  • eBook ISBN: 978-94-011-4263-2Published: 06 December 2012

  • Series ISSN: 0167-7276

  • Series E-ISSN: 2542-8330

  • Edition Number: 1

  • Number of Pages: XIV, 281

  • Topics: Aesthetics, Phenomenology, Philosophy of Mind, Philosophy, general

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