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Music and Schema Theory

Cognitive Foundations of Systematic Musicology

  • Marc┬áLeman

Part of the Springer Series in Information Sciences book series (SSINF, volume 31)

Table of contents

  1. Front Matter
    Pages I-XIII
  2. Marc Leman
    Pages 1-2
  3. Marc Leman
    Pages 3-19
  4. Marc Leman
    Pages 21-32
  5. Marc Leman
    Pages 33-42
  6. Marc Leman
    Pages 43-60
  7. Marc Leman
    Pages 61-70
  8. Marc Leman
    Pages 71-97
  9. Marc Leman
    Pages 99-116
  10. Marc Leman
    Pages 117-133
  11. Marc Leman
    Pages 159-169
  12. Marc Leman
    Pages 171-185
  13. Marc Leman
    Pages 197-199
  14. Marc Leman
    Pages 207-210
  15. Back Matter
    Pages 211-236

About this book

Introduction

Music and Schema Theory Music is an important domain of application for schema theory. The perceptual structures for pitch and timbre have been mapped via schemata, with results that have contributed to a better understanding of music perception. Yet we still need to know how a schema comes into existence, or how it functions in a particular perception task. This book provides a foundation for the understanding of the emergance and functionality of schemata by means of computer-based simulations of tone center perception. It is about how memory structures self-organize and how they use contextual information to guide perception.

Keywords

information perception simulation structure

Authors and affiliations

  • Marc┬áLeman
    • 1
  1. 1.Institute for Psychoacoustics and Electronic MusicUniversity of GhentGhentBelgium

Bibliographic information

  • DOI https://doi.org/10.1007/978-3-642-85213-8
  • Copyright Information Springer-Verlag Berlin Heidelberg 1995
  • Publisher Name Springer, Berlin, Heidelberg
  • eBook Packages Springer Book Archive
  • Print ISBN 978-3-642-85215-2
  • Online ISBN 978-3-642-85213-8
  • Series Print ISSN 0720-678X
  • Buy this book on publisher's site
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