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© 2019

Affect Theory and Literary Critical Practice

A Feel for the Text

  • Stephen Ahern
Book

Table of contents

  1. Front Matter
    Pages i-xi
  2. Stephen Ahern
    Pages 1-21
  3. Feeling Early Modern

  4. Affective Transmissions, Romantic to Victorian

  5. Modernist Contingencies: Engaging the Ineffable

    1. Front Matter
      Pages 159-159
    2. Katherine G. Sutherland
      Pages 161-182
  6. Bodies Write Back: Attending to Affect in Contemporary Writing

  7. Back Matter
    Pages 251-263

About this book

Introduction

Affect Theory and Literary Critical Practice develops new approaches to reading literature that are informed by the insights of scholars working in affect studies across many disciplines, with essays that consider works of fiction, drama, poetry and memoir ranging from the medieval to the postmodern. While building readings of representative texts, contributors reflect on the value of affect theory to literary critical practice, asking: what explanatory power is affect theory affording me here as a critic? what can the insights of the theory help me do with a text? Contributors work to incorporate lines of theory not always read together, accounting for the affective intensities that circulate through texts and readers and tracing the operations of affectively charged social scripts. Drawing variously on queer, feminist and critical race theory and informed by ecocritical and new materialist sensibilities, essays in the volume share a critical practice founded in an ethics of relation and contribute to an emerging moment of postcritique.

Keywords

early modern queer affects medieval eighteenth century Jane Austen Victorian

Editors and affiliations

  • Stephen Ahern
    • 1
  1. 1.Acadia UniversityWolfville, NSCanada

About the editors

Stephen Ahern is Professor of English at Acadia University in Nova Scotia, Canada.  His work on affect and the cultural politics of emotion includes two recent books: Affect and Abolition in the Anglo-Atlantic, 1770–1830 (ed.)(2013) and Affected Sensibilities: Romantic Excess and the Genealogy of the Novel, 1680–1810 (2007).


Bibliographic information

Reviews

“This collection helps us to begin to make sense of these intangibles by guiding our approach to the sometimes baffling ways that texts make us feel.” (Aleksondra Hultquist, Eighteenth-Century Fiction, Vol. 33 (1), 2020)