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Table of contents

  1. Front Matter
    Pages i-ix
  2. Anthony P. Pennino
    Pages 1-13
  3. Anthony P. Pennino
    Pages 15-52
  4. Anthony P. Pennino
    Pages 231-239
  5. Back Matter
    Pages 241-251

About this book

Introduction

This book investigates how the British theatrical community offered an alternative and oppositional historical narrative to the heritage culture promulgated by the Thatcher and Major Governments in the 1980s and early 1990s. It details the challenges the theatre faced, especially reductions in government funding, and examines seminal playwrights of the period – including but not limited to Caryl Churchill, Howard Brenton, Sarah Daniels, David Edgar, and Brian Friel – who dramatized a more inclusive vision of history that gave voice to traditionally marginalized communities. It employs James Baldwin’s concept of witnessing as the means by which history could be deployed to articulate an alternative and emergent political narrative: “the history we haven’t had”. This book will appeal to students and scholars of theatre and cultural studies as well as theatre practitioners and enthusiasts.

Keywords

Churchill Edgar Howard Brenton Howard Barker Tom Stoppard Edward Bond Hegemony Roman Empire Northern Ireland Conservative Party

Authors and affiliations

  • Anthony P. Pennino
    • 1
  1. 1.Stevens Institute of TechnologyHobokenUSA

Bibliographic information

  • DOI https://doi.org/10.1007/978-3-319-96686-1
  • Copyright Information The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerland AG 2018
  • Publisher Name Palgrave Macmillan, Cham
  • eBook Packages Literature, Cultural and Media Studies
  • Print ISBN 978-3-319-96685-4
  • Online ISBN 978-3-319-96686-1
  • Buy this book on publisher's site