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Rethinking Genre in Contemporary Global Cinema

  • Silvia Dibeltulo
  • Ciara Barrett

Table of contents

  1. Front Matter
    Pages i-xv
  2. Silvia Dibeltulo, Ciara Barrett
    Pages 1-11
  3. Identities: Race, Ethnicity, Gender

  4. Genre/Nation

  5. Transition(s) and Hybridity

  6. Genre and Industry: Production, Marketing, Audiences

  7. Genre(s) in a Post-9/11 Context

  8. Back Matter
    Pages 231-242

About this book

Introduction

Rethinking Genre in Contemporary Global Cinema offers a unique, wide-ranging exploration of the intersection between traditional modes of film production and new, transitional/transnational approaches to film genre and related discourses in a contemporary, global context. This volume’s content—the films, genres, and movements explored, as well as methodologies used in their analysis—is diverse and, crucially, up-to-date with contemporary film-making practice and theory. Significantly, the collection extends existing scholarly discourse on film genre beyond its historical bias towards a predominant focus on Hollywood cinema, on the one hand, and a tendency to treat “other” national cinemas in isolation and/or as distinct systems of production, on the other.

In view of the ever-increasing globalisation and transnational mediation of film texts and screen media and culture worldwide, the book recognises the need for film genre studies and film genre criticism to cast a broader, indeed global, scope. The collection thus rethinks genre cinema as a transitional, cross-cultural, and increasingly transnational, global paradigm of film-making in diverse contexts.

Keywords

Film Genre Global Cinema National/transnational Cinema Intermediality and Convergence Culture Identity Politics

Editors and affiliations

  • Silvia Dibeltulo
    • 1
  • Ciara Barrett
    • 2
  1. 1.Oxford Brookes UniversityOxfordUnited Kingdom
  2. 2.NUI GalwayGalwayIreland

Bibliographic information