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Comedies of Nihilism

The Representation of Tragedy Onscreen

  • Amir Khan

Table of contents

  1. Front Matter
    Pages i-xi
  2. Amir Khan
    Pages 1-27
  3. Amir Khan
    Pages 107-127
  4. Amir Khan
    Pages 145-162
  5. Amir Khan
    Pages 163-166
  6. Back Matter
    Pages 167-183

About this book

Introduction

Amir Khan's eloquent voice and discerning mind take his reader on an exhilarating and provocative journey through seven post-9/11 films. Following the sage guidance of Stanley Cavell, Khan invites us to engage in clear-eyed and instructive discussions about film and moral reasoning, which thoughtful moviegoers will gratefully enjoy. Khan's book will generously reward contemporary American efforts to accurately descry the True North, and it will provide fresh insight into American self-understanding as Canada's imperial movie-making neighbor to the south.’ 

 

- Lawrence F. Rhu, Professor Emeritus of English Language and Literature at the University of South Carolina, USA


This book presents close-readings of seven post-millennial comedic films: Up in the Air, Tropic ThunderJCVDWinnebago Man, The Trotsky, Be Kind Rewind, and Hamlet 2. It is a sequel to Stanley Cavell’s 1981 landmark study of the comedic genre, Pursuits of Happiness, where he examines seven comedies of Hollywood’s “Golden Age.” Khan puts forward the idea that comedies, once centred on the conventional “happy ending,” are no longer interested in detailing the steps to any ending we might call happy. Instead, the agenda of most culturally serious comedies today is to “spoof,” to make all that is fair foul. The seven films presented here risk a type of cultural nihilism—spoofing for the sake of spoofing and nothing else, indicative not of film’s promise but its failure.


By equating the failure of film with the failed national politics of Canada (or the failed politics of nationalism and community more generally), this study shows that comedy has less to do with happiness, and more to do with the grotesque. The films analysed represent hyper-realized forms of comic irony and move towards what theatre knows as tragedy, or a tragic vision.


Amir Khan is Assistant Professor of English at Liaoning Normal University-Missouri State University’s College of International Business in Dalian, China. He is managing editor of Conversations: The Journal of Cavellian Studies and author of Shakespeare in Hindsight (2016).

Keywords

Pursuits of happiness Stanley Cavell Northrop Frye Be Kind Rewind JCVD post-millennial comedy Up in the Air Winnebago Man Hamlet 2 Tropic Thunder spoofing comedic irony comedy nihilism tragicomedy

Authors and affiliations

  • Amir Khan
    • 1
  1. 1.LNU-MSU College of International BusinessLiaoning Normal UniversityDalianChina

Bibliographic information