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Regimes of Invisibility in Contemporary Art, Theory and Culture

Image, Racialization, History

  • Marina Gržinić
  • Aneta Stojnić
  • Miško Šuvaković

Table of contents

  1. Front Matter
    Pages i-vii
  2. Miško Šuvaković, Aneta Stojnić, Marina Gržinić
    Pages 1-9
  3. Theoretical-Political Interventions

  4. Visual and Curatorial Deconstructions

    1. Front Matter
      Pages 75-75
    2. Aneta Stojnić
      Pages 77-87
  5. Histories Disclosed

  6. Back Matter
    Pages 169-173

About this book

Introduction

This book places a focus on the regimes of in/visibility and representation in Europe and offers an innovative perspective on the topic of global capitalism in relation to questions of race, class, gender and migration, as well as historicization of biopolitics and (de)coloniality. The aim of this volume is to revisit theories of art, new media technology, and aesthetics under the weight of political processes of discrimination, racism, anti-Semitism and new forms of coloniality in order to propose a new dispositive of the ontology and epistemology of the image, of life and capitalism as well as labor and modes of life. This book is firmly embedded in the present moment, when due to rapid and major changes on all levels of political and social reality the need for rearticulation in theoretical, artistic and political practices and rethinking of historical narratives becomes almost tangible.

Keywords

capitalism race gender class migration Europe discrimination new media neoliberalism fascism racism

Editors and affiliations

  • Marina Gržinić
    • 1
  • Aneta Stojnić
    • 2
  • Miško Šuvaković
    • 3
  1. 1.Institute of Fine Arts (IBK)Academy of Fine Arts ViennaViennaAustria
  2. 2.Faculty of Media and CommunicationsSingidunum UniversityBelgradeSerbia
  3. 3.Faculty of Media and CommunicationsSingidunum University BelgradeSerbia

Bibliographic information