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Australian Screen in the 2000s

  • Mark David Ryan
  • Ben Goldsmith

Table of contents

  1. Front Matter
    Pages i-xix
  2. Mark David Ryan, Ben Goldsmith
    Pages 1-21
  3. Australian-International Screen

  4. Representation, Narrative and Aesthetics

  5. Genre and Cycles

    1. Front Matter
      Pages 229-229
    2. Claire Henry
      Pages 261-283
    3. Matthew Campora
      Pages 301-318
  6. Distribution and Exhibition

    1. Front Matter
      Pages 319-319
    2. Bronwyn Coate, Deb Verhoeven, Colin Arrowsmith, Vejune Zemaityte
      Pages 341-360
  7. Back Matter
    Pages 361-370

About this book

Introduction

This book provides coverage of the diversity of Australian film and television production between 2000 and 2015. In this period, Australian film and television have been transformed by new international engagements, the emergence of major new talents and a movement away with earlier films’ preoccupation with what it means to be Australian. With original contributions from leading scholars in the field, the collection contains chapters on particular genres (horror, blockbusters and comedy), Indigenous Australian film and television, women’s filmmaking, queer cinema, representations of history, Australian characters in non-Australian films and films about Australians in Asia, as well as chapters on sound in Australian cinema and the distribution of screen content. The book is both scholarly and accessible to the general reader. It will be of particular relevance to students and scholars of Anglophone film and television, as well as to anyone with an interest in Australian culture and creativity.

Keywords

Australian Screen Media Australian Cinema Australian Television Australian Film Industry Transnational Screen Media Australasian Media

Editors and affiliations

  • Mark David Ryan
    • 1
  • Ben Goldsmith
    • 2
  1. 1.Queensland University of TechnologyBrisbaneAustralia
  2. 2.Independent ScholarBournemouthUnited Kingdom

Bibliographic information