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Music, Mind, and Embodiment

11th International Symposium, CMMR 2015, Plymouth, UK, June 16-19, 2015, Revised Selected Papers

  • Richard Kronland-Martinet
  • Mitsuko Aramaki
  • Sølvi Ystad
Conference proceedings CMMR 2015

Part of the Lecture Notes in Computer Science book series (LNCS, volume 9617)

Also part of the Information Systems and Applications, incl. Internet/Web, and HCI book sub series (LNISA, volume 9617)

Table of contents

  1. Front Matter
    Pages I-XIII
    PDF

  2. Sound, Motion and Gesture

    1. Front Matter
      Pages 1-1
      PDF
    2. Comparing the Timing of Movement Events for Air-Drumming Gestures
      Luke Dahl
      Pages 3-21
    3. Assessing the Influence of Constraints on Cellists’ Postural Displacements and Musical Expressivity
      Jocelyn Rozé, Mitsuko Aramaki, Richard Kronland-Martinet, Thierry Voinier, Christophe Bourdin, Delphine Chadefaux et al.
      Pages 22-41
    4. Musical Meter, Rhythm and the Moving Body: Designing Methods for the Analysis of Unconstrained Body Movements
      Luiz Naveda, Isabel C. Martínez, Javier Damesón, Alejandro Pereira Ghiena, Romina Herrera, Manuel Alejandro Ordás
      Pages 42-57
    5. Evaluating Input Devices for Dance Research
      Mari Romarheim Haugen, Kristian Nymoen
      Pages 58-70
    6. Estimation of Guitar Fingering and Plucking Controls Based on Multimodal Analysis of Motion, Audio and Musical Score
      Alfonso Perez-Carrillo, Josep-Lluis Arcos, Marcelo Wanderley
      Pages 71-87
    7. Analysis of Mimed Violin Performance Movements of Neophytes
      Federico Visi, Esther Coorevits, Rodrigo Schramm, Eduardo R. Miranda
      Pages 88-108

  3. Digital Musical Instruments, Embodiment and Performance

    1. Front Matter
      Pages 109-109
      PDF
    2. Skill Development and Stabilisation of Expertise for Electronic Music Performance
      Jan C. Schacher, Patrick Neff
      Pages 111-131
    3. The Hybrid Brain Computer Music Interface - Integrating Brainwave Detection Methods for Extended Control in Musical Performance Systems
      Joel Eaton, Eduardo R. Miranda
      Pages 132-145
    4. Feeling Sound: Exploring a Haptic-Audio Relationship
      Joanne Armitage, Kia Ng
      Pages 146-152
    5. BOEUF: A Unified Framework for Modeling and Designing Digital Orchestras
      Florent Berthaut, Luke Dahl
      Pages 153-166
    6. Decomposing a Composition: On the Multi-layered Analysis of Expressive Music Performance
      Esther Coorevits, Dirk Moelants, Stefan Östersjö, David Gorton, Marc Leman
      Pages 167-189
    7. 3CMS: An Interactive Decision System for Live Performance
      Rodrigo Schramm, Helena de Souza Nunes, Leonardo de Assis Nunes, Federico Visi, Eduardo R. Miranda
      Pages 190-210

  4. Composition Tools

    1. Front Matter
      Pages 211-211
      PDF
    2. A Viewpoint Approach to Symbolic Music Transformation
      Louis Bigo, Darrell Conklin
      Pages 213-227
    3. Balancing Audio: Towards a Cognitive Structure of Sound Interaction in Music Production
      Mads Walther-Hansen
      Pages 228-242
    4. Conchord: An Application for Generating Musical Harmony by Navigating in the Tonal Interval Space
      Gilberto Bernardes, Diogo Cocharro, Carlos Guedes, Matthew E. P. Davies
      Pages 243-260
    5. Musical Variation and Improvisation Based on Multi-resolution Representations
      Johan Loeckx
      Pages 261-270
    6. Music with Unconventional Computing: Granular Synthesis with the Biological Computing Substrate Physarum Polycephalum
      Edward Braund, Eduardo R. Miranda
      Pages 271-280

  5. Data Mining, Music Information Retrieval and Artificial Intelligence

    1. Front Matter
      Pages 281-281
      PDF
    2. Evaluation and Prediction of Harmonic Complexity Across 76 Years of Billboard 100 Hits
      Kristoffer Jensen, David G. Hebert
      Pages 283-296
    3. Information Rate for Fast Time-Domain Instrument Classification
      Jordan Ubbens, David Gerhard
      Pages 297-308
    4. Escaping from the Abyss of Manual Annotation: New Methodology of Building Polyphonic Datasets for Automatic Music Transcription
      Li Su, Yi-Hsuan Yang
      Pages 309-321
    5. The Clustering of Expressive Timing Within a Phrase in Classical Piano Performances by Gaussian Mixture Models
      Shengchen Li, Dawn A. A. Black, Mark D. Plumbley
      Pages 322-345
    6. Modeling Affective Responses to Music Using Audio Signal Analysis and Physiology
      Konstantinos Trochidis, Simon Lui
      Pages 346-357
    7. A New Look at Musical Expectancy: The Veridical Versus the General in the Mental Organization of Music
      Emery Schubert, Marcus Pearce
      Pages 358-370

  6. Music Analysis, Music Generation and Emotion

    1. Front Matter
      Pages 371-371
      PDF
    2. Emotional Experiences of Ascending Melodic Lines
      Hans T. Zeiner-Henriksen
      Pages 373-386
    3. \(\sigma \)GTTM III: Learning-Based Time-Span Tree Generator Based on PCFG
      Masatoshi Hamanaka, Keiji Hirata, Satoshi Tojo
      Pages 387-404
    4. BioComputer Music: Generating Musical Responses with Physarum polycephalum-Based Memristors
      Edward Braund, Eduardo R. Miranda
      Pages 405-419
    5. ‘Understood at Last’?: A Memetic Analysis of Beethoven’s ‘Bloody Fist’
      Steven Jan
      Pages 420-437
    6. Music and Dementia: Two Case-Studies
      Alexis Kirke, Belinda Dixon, Eduardo R. Miranda
      Pages 438-448
    7. Strictly Rhythm: Exploring the Effects of Identical Regions and Meter Induction in Rhythmic Similarity Perception
      Daniel Gómez-Marín, Sergi Jordà, Perfecto Herrera
      Pages 449-463
    8. Cross-Cultural Comparisons of Unconstrained Body Responses to Argentinian and Afro-Brazilian Music
      Luiz Naveda, Isabel C. Martínez, Javier Damesón, Alejandro Pereira Ghiena, Romina Herrera, Manuel Alejandro Ordás
      Pages 464-482
  7. Correction to: Music, Mind, and Embodiment
    Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad
    Pages E1-E1
    PDF
  8. Back Matter
    Pages 483-483
    PDF

About these proceedings

Introduction

This book constitutes the thoroughly refereed post-conference of the 11th International Symposium on Computer Music Modeling and Retrieval, CMMR 2015, held in Plymouth, UK, in  June 2015. The 30 full papers presented were carefully reviewed and selected from 126 submissions. This year’s post symposium edition contains peer-reviewed and revised articles centered around the conference theme “Music, Mind, and Embodiment”. It is divided into 6 sections devoted to various sound and technology issues with a particular emphasis on performance, music generation, composition, analysis and information retrieval, as well as relations between sound, motion and gestures  and human perception and culture.

Keywords

audio signal processing digital signal processing real-time audio processing sound and music computing virtual reality

Editors and affiliations

  • Richard Kronland-Martinet
    • 1
  • Mitsuko Aramaki
    • 2
  • Sølvi Ystad
    • 3
  1. 1.CNRS - LMAMarseille Cedex 20France
  2. 2.CNRS - LMAMarseilleFrance
  3. 3.CNRS - LMAMarseilleFrance

Bibliographic information

  • DOI https://doi.org/10.1007/978-3-319-46282-0
  • Copyright Information Springer International Publishing Switzerland 2016
  • Publisher Name Springer, Cham
  • eBook Packages Computer Science
  • Print ISBN 978-3-319-46281-3
  • Online ISBN 978-3-319-46282-0
  • Series Print ISSN 0302-9743
  • Series Online ISSN 1611-3349
  • Buy this book on publisher's site
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