Tennessee Williams and Italy

A Transcultural Perspective

  • Alessandro Clericuzio

Table of contents

  1. Front Matter
    Pages i-xv
  2. Alessandro Clericuzio
    Pages 1-9
  3. Alessandro Clericuzio
    Pages 11-53
  4. Alessandro Clericuzio
    Pages 87-107
  5. Alessandro Clericuzio
    Pages 151-181
  6. Alessandro Clericuzio
    Pages 183-207
  7. Back Matter
    Pages 209-225

About this book


This book reveals for the first time the import of a huge network of connections between Tennessee Williams and his beloved land of election, Italy.

America's most thought-provoking playwright loved Italy more than any other country outside the U.S. and was deeply influenced by its culture for most of his life. Anna Magnani's film roles in the 1940s, Italian Neo-realist cinema, the theatre of Eduardo De Filippo, as well as the actual experience of Italian life and culture during his long stays in the country were some of the elements shaping his literary output. Through his lover Frank Merlo, he also had first-hand knowledge of Italian-American life in Brooklyn.

Tracing the establishment of his reputation with the Italian intelligentsia, as well as with theatre practitioners and with generations of audiences, the book also tells the story of a momentous collaboration in the theatre, between Williams and Luchino Visconti, who had to defy the unceasing control Italian censorship exerted on Williams for decades.


American Literature American Playwrights American Theatre Theatre History Streetcar Named Desire Glass Menagerie Twentieth Century Drama The Rose Tattoo Cat on a Hot Tin Roof Un tram che si chiama desiderio transnational theatre international theatre Luchino Visconti twentieth century Italy state censorship fascist legacy Eduardo De Filippo Salvatore Di Giacomo queer studies

Authors and affiliations

  • Alessandro Clericuzio
    • 1
  1. 1.University of PerugiaPerugiaItaly

Bibliographic information