© 2014

The Materials and Craft of Early Iconographers


Part of the SpringerBriefs in Materials book series (BRIEFSMATERIALS)

Table of contents

  1. Front Matter
    Pages i-xvi
  2. Mihaela D. Leonida
    Pages 15-40
  3. Mihaela D. Leonida
    Pages 41-55
  4. Mihaela D. Leonida
    Pages 61-66
  5. Mihaela D. Leonida
    Pages 67-77
  6. Mihaela D. Leonida
    Pages 79-86
  7. Mihaela D. Leonida
    Pages 87-97
  8. Mihaela D. Leonida
    Pages 99-110
  9. Mihaela D. Leonida
    Pages 111-130
  10. Back Matter
    Pages 131-136

About this book


This book describes in detail the materials and techniques used by medieval iconographers. It offers information about the natural sources, the raw materials, the tools and the technologies involved in preparing them. The book allows entry into the secretive world of very knowledgeable and skilled artisans, about which very little is known. Topics covered include raw materials, pigments, binders, solvents, adhesives, inks and varnishes. Special chapters will be dedicated to the fresco technique as practiced by the early iconographers, grinding, painting on glass and the training/apprenticeship of these craftsmen.


Adhesives from Animal and Plant Sources Conserving Icons on Glass Dry vs. Wet Grinding Fresco and Secco Gilding Icons Hermeneias Inks used in Medieval Manuscripts Materials used by Iconographers Medieval Iconographers Medieval Painters

Authors and affiliations

  1. 1.School of Natural ScienceFairleigh Dickinson UniversityTeaneckUSA

Bibliographic information

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