About this book
This book explores the untold history of women, art, and crime. It has long been widely accepted that women have not played an active role in the art crime world, or if they have, it has been the part of the victim or peacemaker. Women, Art, and Crime overturns this understanding, as it investigates the female criminals who have destroyed, vandalised, stolen, and forged art, as well as those who have conned clients and committed white-collar crimes in their professional occupations in museums, libraries, and galleries. Whether prompted by a desire for revenge, for money, the instinct to protect a loved one, or simply as an act of quality control, this book delves into the various motivations and circumstances of women art criminals from a wide range of countries, including the UK, the USA, New Zealand, Romania, Germany, and France. Through a consideration of how we have come to perceive art crime and the gendered language associated with its documentation, this pioneering study questions why women have been left out of the discourse to date and how, by looking specifically at women, we can gain a more complete picture of art crime history.
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“Females in the Frame: Women, Art, and Crime is an informative and thorough overview of women in art crime and an interesting read to account for untold stories. Just like the majority of art collections in art repositories worldwide that have an overwhelming representation of male artists, art history accounts tend to feature male protagonists. Jackson’s objective, hopefully, was not to show that there were as many female thieves and forgers but to uncover the underrepresented side of the history of art crime. This easy-to-read book provides us with new insights into the history of art crime and suggests why and how women’s involvement is omitted from historical documentation.” (Yuchen Xie, Art Law Review)