Borges, Buddhism and World Literature

A Morphology of Renunciation Tales

  • Dominique Jullien

Part of the Literatures of the Americas book series (LOA)

Table of contents

  1. Front Matter
    Pages i-xxv
  2. Dominique Jullien
    Pages 23-46
  3. Dominique Jullien
    Pages 47-81
  4. Dominique Jullien
    Pages 83-97
  5. Back Matter
    Pages 99-126

About this book


This book follows the renunciation story in Borges and beyond, arguing for its centrality as a Borgesian compositional trope and as a Borgesian prism for reading a global constellation of texts. The renunciation story at the heart of Buddhism, that of a king who leaves his palace to become an ascetic, fascinated Borges because of its cross-cultural adaptability and metamorphic nature, and because it resonated so powerfully across philosophy, politics and aesthetics. From the story and its many variants, Borges’s essays formulated a 'morphological' conception of literature (borrowing the idea from Goethe), whereby a potentially infinite number of stories were generated by transformation of a finite number of 'archetypes'. The king-and-ascetic encounter also tells a powerful political story, setting up a confrontation between power and authority; Borges’s own political predicament is explored against the rich background of truth-telling renouncers. In its poetic variant, the renunciation archetype morphs into stories about art and artists, with renunciation a key requirement of the creative process: the discussion weaves in and out of Borges to highlight modern writers’ debt to asceticism. Ultimately, the enigmatic appeal of the renunciation story aligns it with the open-endedness of modern parables.


Jorge Luis Borges Buddhism Goethe Weltliteratur 1001 Nights Flaubert Blixen Kafka Morphology World literature Renunciation

Authors and affiliations

  • Dominique Jullien
    • 1
  1. 1.Department of French and Italian, Comparative Literature ProgramUniversity of California, Santa BarbaraSanta BarbaraUSA

Bibliographic information