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Table of contents

  1. Front Matter
    Pages i-x
  2. Introduction: Remaking Film

    1. Constantine Verevis
      Pages 1-34
  3. Remaking as Industrial Category

    1. Front Matter
      Pages 35-35
    2. Constantine Verevis
      Pages 37-57
    3. Constantine Verevis
      Pages 58-78
  4. Remaking as Textual Category

    1. Front Matter
      Pages 79-79
    2. Constantine Verevis
      Pages 81-104
    3. Constantine Verevis
      Pages 105-125
  5. Remaking as Critical Category

    1. Front Matter
      Pages 127-127
    2. Constantine Verevis
      Pages 129-150
    3. Constantine Verevis
      Pages 151-172
    4. Constantine Verevis
      Pages 173-178
  6. Back Matter
    Pages 179-198

About this book

Introduction

This is the first book to provide a comprehensive and systematic account of the phenomenon of cinematic remaking. Drawing upon recent theories of genre and intertextuality, Film Remakes describes remaking as both an elastic concept and a complex situation, one enabled and limited by the interrelated roles and practices of industry, critics, and audiences. This approach to remaking is developed across three broad sections: the first deals with issues of production, including commerce and authors; the second considers genre, plots, and structures; and the third investigates issues of reception, including audiences and institutions.

Keywords

film film history history

Bibliographic information

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