Skip to main content
Log in

Urban hacking: the versatile forms of cultural resilience in Hong Kong

  • Original Article
  • Published:
URBAN DESIGN International Aims and scope Submit manuscript

Abstract

The current understanding of urban resilience focuses on economic, environmental, and social responses. While the significance of art in enhancing social resistance has been acknowledged, the full potential of (un)authorised artistic and creative practices in initiating and strengthening the strategies of urban resilience is not yet recognised. Based on extensive fieldwork in 2012–2017, this paper delineates how urban hacking challenges the sociopolitical and spatio-aesthetic dynamics of the urban public space in Hong Kong as a form of cultural resilience that can contribute to a more holistic understanding of urban resilience. The diversity of urban hacking is indicated in an analysis of selected case studies of urban knitting and digital hacking that question the prevailing perceptions emphasising hacking as a method of illegal and arbitrary destruction. I posit that varied forms of urban hacking have a growing power to raise awareness of sociopolitical issues, enhance solidarity, and renegotiate space for new strategies and subjectivities aiming for more versatile co-authorship of the city.

This is a preview of subscription content, log in via an institution to check access.

Access this article

Price excludes VAT (USA)
Tax calculation will be finalised during checkout.

Instant access to the full article PDF.

Fig. 1
Fig. 2
Fig. 3
Fig. 4
Fig. 5 and 6
Fig. 7 and 8
Fig. 9
Fig. 10

Similar content being viewed by others

Notes

  1. Despite persistent efforts, some related stakeholders of the chosen case studies refused to be interviewed.

  2. The regulations and management of “public open space” (PoS) in Hong Kong is currently complicated by the growing amount of space managed by the private developers.

  3. For participatory art in Hong Kong, see Cheung (2015); for contemporary graffiti and street art, see Valjakka (2015, 2016).

  4. Translation by the author, published with the consent of Poon.

  5. Original statement provided by the artists to author.

  6. Statement and a short video available online; Add Oil Team (2016).

References

  • Abbas, A. 1997. Hong Kong: Culture and the politics of disappearance. Hong Kong: Hong Kong University Press.

    Google Scholar 

  • Add Oil Team. 2016. Countdown. http://addoilteam.hk/countdown/. Accessed 15 July 2017.

  • Amin, A. 2006. Collective culture and urban public space. City 12 (1): 5–24.

    Article  Google Scholar 

  • Bauhinia Foundation Research Centre. 2007. Hong Kong: A creative metropolis. A policy submission paper, 3 October. http://www.bauhinia.org/assets/pdf/research/20071003/CreativeSubmissionPaper_ENG.pdf. Accessed 10 July 2017.

  • Berkes, F., and H. Ross. 2013. Community resilience: Toward an integrated approach. Society & Natural Resources 26 (1): 5–20.

    Article  Google Scholar 

  • Buser, M., C. Bonura, M. Fannin, and K. Boyer. 2013. Cultural activism and the politics of place-making. City 17 (5): 606–627.

    Article  Google Scholar 

  • Cai, Y. 2017. The occupy movement in Hong Kong. Sustaining decentralized practices. London: Routledge.

    Google Scholar 

  • Castell, M. 2012. Networks of outrage and hope: Social movements in internet age. Cambridge: Polity.

    Google Scholar 

  • Cheung, S. 2015. Taking part: Participatory art and the emerging civil society in Hong Kong. World Art 5 (1): 143–166.

    Article  Google Scholar 

  • Clarke, H.E., and B. Mayer. 2017. Community recovery following the deepwater horizon oil spill: Toward a theory of cultural resilience. Society & Natural Resources 30 (2): 129–144.

    Article  Google Scholar 

  • DeLaure, M., and M. Fink (eds.). 2017. Culture jamming: Activism and the art of cultural resistance. New York: New York University Press.

    Google Scholar 

  • Desouza, K.C., and T.H. Flanery. 2013. Designing, planning, and managing resilient cities: A conceptual framework. Cities 35: 89–99.

    Article  Google Scholar 

  • Dolan, P. 2012. Travelling through social support and youth civic action on a journey towards resilience. In The social ecology of resilience, ed. M. Ungar. New York: Springer.

    Google Scholar 

  • Douglas, G.C.C. 2018. The help-yourself city: Legitimacy and inequality in DIY urbanism. New York: Oxford University Press.

    Book  Google Scholar 

  • Eco, U. 1986. Faith in fakes. Essays. Trans. William Weaver, London: Seeker & Warburg.

  • Finn, D. 2014. DIY urbanism: implications for cities. Journal of Urbanism: International Research on Placemaking and Urban Sustainability 7 (4): 381–398.

    Google Scholar 

  • Firat, B.O., and A. Kuryel (eds.). 2011. Cultural activism: Practices, dilemmas, and possibilities. Amsterdam: Brill.

    Google Scholar 

  • Gadringer, M. 2010. Urban hacking as a strategy for urban (re-)planning/designing. In: Urban hacking. Cultural jamming strategies in the risky spaces of modernity, eds. Friesinger G., Grenzfurthner J. and Ballhausen T, 35–44. Bielefeld: Transcript-Verlag.

  • Grierson, E., and K. Sharp (eds.). 2013. Re-imagining the city: Art, globalization and urban spaces. Bristol: Intellect.

    Google Scholar 

  • Harvey, D. 2009. Social justice and the city, rev ed. Athens: University of Georgia Press.

    Google Scholar 

  • Ho, O. 2016. 藝術抗爭,也需顧及團隊 [Art making a stance, and also taking into account the collective] The Initium, 1 June, https://theinitium.com/article/20160601-opinion-oscarho-art2047/. Accessed 7 July 2017.

  • Hou, J. 2010. (Not) your everyday public space. In Insurgent public space: Guerrilla urbanism and the remaking of contemporary cities, ed. J. Hou, 1–17. New York: Routledge.

    Chapter  Google Scholar 

  • Iveson, K. 2007. Publics and the city. Oxford: Blackwell.

    Book  Google Scholar 

  • Iveson, K. 2013. Cities within the city: Do-it-yourself urbanism and the right to the city. International Journal of Urban and Regional Research 37 (3): 941–956.

    Article  Google Scholar 

  • Kelly, M. 2014. Knitting as a feminist project? Women’s Studies International Forum 44: 133–144.

    Article  Google Scholar 

  • Kester, G. 2011. The one and the many: Contemporary collaborative art in a global context. Durham: Duke University Press.

    Book  Google Scholar 

  • Knott, K. 2015. Yarn bomb queen’s next Hong Kong target is Tsing Ma Bridge. May 9, South China Morning Post. http://www.scmp.com/lifestyle/arts-entertainment/article/1789285/yarn-bomb-queens-next-hong-kong-target-tsing-ma-bridge. Accessed 7 April 2018.

  • Ku, A. 2012. The development of citizenship in Hong Kong. Governance without democracy. In Repositioning the Hong Kong government: Social foundations and political challenges, ed. S.W. Chiu and S. Wong, 123–145. Hong Kong: Hong Kong University Press.

    Chapter  Google Scholar 

  • Lai, M. 2010. Dancing to different tunes: Performance and activism among migrant domestic workers in Hong Kong. Women’s Studies International Forum 33 (5): 501–511.

    Article  Google Scholar 

  • Lam, T. & Tavecchia, B. 2014. Taxonomy of public space in contemporary Hong Kong. In Public space in urban Asia, ed. Lim S.W., 131–137. Singapore: World Scientific Pub. Co.

  • Law, L. 2002. Defying disappearance: Cosmopolitan public spaces in Hong Kong. Urban Studies 39 (9): 1625–1645.

    Article  Google Scholar 

  • Lazzeretti, L. 2012. The remarkable resilience of cities of art. In Reframing regional development: Evolution, innovation and transition, ed. P. Cooke. London: Routledge.

    Google Scholar 

  • Low, S. 2006. The erosion of public space and the public realm: Paranoia, surveillance and privatization in New York City. City and Society 18 (1): 43–49.

    Article  Google Scholar 

  • Lydon, M. ed. 2012. Tactical urbanism vol. 1. https://issuu.com/streetplanscollaborative/docs/tactical_urbanism_vol.1. Accessed 1 November 2018.

  • Lydon, M., and A. Garcia. 2015. Tactical urbanism: Short-term action for long-term change. Washington, DC: Island Press/Center for Resource Economics.

    Book  Google Scholar 

  • McCaughan, E.J. 2012. Art and social movements: Cultural politics in Mexico and Aztlán. Durham: Duke University Press.

    Book  Google Scholar 

  • Meerow, S., J.P. Newell, and M. Stults. 2016. Defining urban resilience: A review. Landscape and Urban Planning 147: 38–49.

    Article  Google Scholar 

  • Mingpao. 2017. 短片: 習近平訪港. ICC現歡迎字眼 [Video clip: Xi Jinping’s visit to Hong Kong. ICC displays welcoming remarks.], June 29. https://news.mingpao.com/ins/instantnews/web_tc/article/20170629/s00001/1498749222573. Accessed 15 May 2018.

  • Moore, M., and L. Prain. 2009. Yarn bombing: The art of Crochet and Knit Graffiti. Vancouver: Arsenal Pulp Press.

    Google Scholar 

  • Mould, O. 2014. Tactical urbanism: The new vernacular of the creative city. Geography Compass 8 (8): 529–539.

    Article  Google Scholar 

  • Németh, J., and J. Langhorst. 2014. Rethinking urban transformation: Temporary uses for vacant land. Cities 40: 143–150.

    Article  Google Scholar 

  • Pasquinelli, C., and J. Sjöholm. 2015. Art and resilience: The spatial practices of making a resilient artistic career in London. City, Culture and Society 6 (3): 75–81.

    Article  Google Scholar 

  • Pentney, B.A. 2008. Feminism, activism, and knitting: Are the fibre arts a viable mode for feminist political action? Thirdspace: A Journal of Feminist Theory & Culture 8

  • Pratt, A.C. 2015. Resilience, locality and the cultural economy. City, Culture and Society 6 (3): 61–67.

    Article  Google Scholar 

  • Price, L. 2015. Knitting and the city. Geography Compass 9 (2): 81–95.

    Article  Google Scholar 

  • Radoine, H. 2013. Cultural resilience in contemporary urbanism: The case of Sharjah, UAE. International Development Planning Review 35 (3): 241–260.

    Article  Google Scholar 

  • Reed, T.V. 2005. The art of protest: Culture and activism from the civil rights movement to the streets of seattle. Minneapolis: University of Minnesota Press.

    Google Scholar 

  • Sayeg, M. 2015. How yarn bombing grew into a worldwide movement. Ted Talk, November. https://www.ted.com/talks/magda_sayeg_how_yarn_bombing_grew_into_a_worldwide_movement/transcript?language=en. Accessed 17 July 2017.

  • Schneider, F.A., and G. Friesinger. 2010. Urban hacking as a practical and theoretical critique of public spaces. In Urban hacking: Cultural jamming strategies in the risky spaces of modernity, ed. G. Friesinger, J. Grenzfurthner, and T. Ballhausen, 13–33. Bielefeld: Transcript-Verlag.

    Google Scholar 

  • Stracey, F. 2014. Constructed situations: A new history of the situationist international. London: Pluto Press.

    Google Scholar 

  • Talen, E. 2015. Do-it-yourself urbanism: A history. Journal of Planning History 14 (2): 135–148.

    Article  Google Scholar 

  • Thompson, N. 2012. Living as a form: Socially engaged art from 1991–2011. Cambridge, MA: MIT Press.

    Google Scholar 

  • Valjakka, M. 2015. Urban art images and the concerns of mainlandization in Hong Kong. In Asian cities: Colonial to global, ed. G. Bracken, 93–121. Amsterdam: Amsterdam University Press.

    Google Scholar 

  • Valjakka, M. 2016. Contesting transcultural trends: Emerging self-identities and urban art images in Hong Kong. In Routledge handbook of Graffiti and street art, ed. J. Ross, 381–387. New York: Routledge.

    Google Scholar 

  • Webb, D. 2018. Tactical urbanism: Delineating a critical praxis. Planning Theory & Practice 19 (1): 58–73.

    Article  Google Scholar 

  • Weibel, P. (ed.). 2015. Global activism: Art and conflict in the 21st century. Ettlingen, Germany: Kraft Druck GmbH.

    Google Scholar 

  • Wilson, G.A. 2012. Community resilience and environmental transitions. Abingdon: Routledge.

    Book  Google Scholar 

  • Young, I.M. 2002. The ideal of community and the politics of difference. In The Blackwell city reader, ed. G. Bridge and S. Watson, 430–439. Malden, MA: Blackwell Publishing.

    Google Scholar 

  • Yiu, M. 2011. Hong Kong’s global image campaign. Port city transformation from British colony to Special Administrative Region of China. In Port cities. Dynamic landscapes and global networks, ed. C. Hein, 214–229. London: Routledge.

    Google Scholar 

  • Yúdice, G. 2003. The expediency of culture: Uses of culture in the global era. Durham: Duke University Press.

    Book  Google Scholar 

  • Zukin, S. 2010. Naked City: The death and life of authentic urban places. New York: Oxford University Press.

    Google Scholar 

Download references

Acknowledgements

The extended research period was made possible by the financial support of the Academy of Finland (2012–2014): the International Institute for Asian Studies, Leiden University (2015–2016); the Finnish Cultural Foundation (2016); and the Asia Research Institute, National University of Singapore (2017–2018). A round of thanks is owed to artists, curators, residents and scholars who shared their insights and support during this study, including Jeff Hou.

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Minna Valjakka.

Additional information

Publisher's Note

Springer Nature remains neutral with regard to jurisdictional claims in published maps and institutional affiliations.

Rights and permissions

Reprints and permissions

About this article

Check for updates. Verify currency and authenticity via CrossMark

Cite this article

Valjakka, M. Urban hacking: the versatile forms of cultural resilience in Hong Kong. Urban Des Int 25, 152–164 (2020). https://doi.org/10.1057/s41289-019-00079-5

Download citation

  • Published:

  • Issue Date:

  • DOI: https://doi.org/10.1057/s41289-019-00079-5

Keywords

Navigation