Tertia Barnett: An Engraved Landscape: Rock Carvings in the Wadi al-Ajal, Libya

Monograph 11, The Society for Libyan Studies, London, 2019, 2 vol., 933 pp., ISBN 978-1-900971-53-9

This is a preview of subscription content, log in to check access.

References:

  1. Guagnin, M. (2014). Patina and environment in the Wadi al-Hayat: Towards a chronology for the rock art of the Central Sahara. African Archaeological Review, 31, 407–423.

    Article  Google Scholar 

  2. Layton, R. H. (2003). Art and agency: A reassessment. Journal of the Royal Anthropological Institute, 9(3), 447–463.

    Article  Google Scholar 

  3. Le Quellec, J.-L. (2016). Recent work on Saharan rock art (2010-2014). In P. Bahn, N. Franklin, M. Strecker, & E. Devlet (Eds.), Rock art studies: News of the world V (pp. 55–74). Oxford: Archaeopress.

    Google Scholar 

  4. Mattingly, D. J., Daniels, C. M., Dore, J. N., Edwards, D., & Hawthorne, J. (Eds.). (2007). The archaeology of Fazzan. Volume 2: Gazetteer, pottery and other finds. London & Tripoli: Department of Antiquities and Society for Libyan Studies.

  5. Zerboni, A. (2008). Holocene rock varnish on the Messak plateau (Libyan Sahara): Chronology of weathering processes. Geomorphology, 102, 640–651.

    Article  Google Scholar 

Download references

Author information

Affiliations

Authors

Corresponding author

Correspondence to Daniela Zampetti.

Additional information

Publisher’s Note

Springer Nature remains neutral with regard to jurisdictional claims in published maps and institutional affiliations.

Rights and permissions

Reprints and Permissions

About this article

Verify currency and authenticity via CrossMark

Cite this article

Zampetti, D. Tertia Barnett: An Engraved Landscape: Rock Carvings in the Wadi al-Ajal, Libya. Afr Archaeol Rev (2020). https://doi.org/10.1007/s10437-020-09389-4

Download citation