Abstract
Almost from the beginning of the cinematography cartographic products were used in movies namely as props, for documentation purposes or as visual shortcuts. Maps play a significant role particularly in “adventure” type of movies, where reality is meeting with fantasy and science with art. There are different approaches how moviemakers handle portraying maps rendered from literature. The portrayal of maps in movies varies from simple look on reproduction of a map to attempts to imprint the feeling of the changing landscape by strictly movie making tools. The more fantasy there is in the story, the more colourful the map presentation can be. As the main goal of moviemakers is to tell the story, the portrayal of the map depends on its significance to the storytelling. The map's portrayal is also dependent on the chosen style of the movie. This paper explores how different approaches of map portrayal in the movie resonate with the story and style of the movie and how different types of map portrayal in movies correspond with map use. There are also discussed possible outside influences on map portrayal. These different approaches are demonstrated on map portrayal in various movie adaptations of H.R. Haggard's novel King Solomon's Mines.
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Books mentioned in the paper:
Verne J (first published in 1875) The Mysterious Island. Hetzel, Paris
Stevenson RL (first published in 1883) Treasure Island. Cassell and Co., London
Haggard HR (first published in 1885) King Solomon’s Mines. Cassell and Co., London
Tolkien RR (first published in 1954–55) Lord of the Rings. Geo. Allen & Unwin, London
Rowling JK (first published in 1999) Harry Potter and the Prisoner of Azkaban. Bloomsbury Publishing, London
Movies mentioned in the paper:
King Solomon’s Mines (Gaumont British Picture Corporation 1937);
King Solomon’s Mines (MGM 1950);
King Solomon’s Mines (Cannon Group 1985);
King Solomon’s Mines (Hallmark Entertainment 2004);
The Librarian: return to King Solomon’s Mines (TNT 2006);
Casablanca (Warner Bros. 1942);
James Bond 007 (EON Production, for example The Spy Who Loved Me 1977, Octopussy 1983, GoldenEye 1995);
Indiana Jones (Paramount Pictures, Raiders of the Lost Ark 1981, Indiana Jones and the Temple of Doom 1984, Indiana Jones and the Last Crusade 1989, Indiana Jones and the Kingdom of the Crystal Skull 2008);
Romancing the Stone (20th Century Fox 1984);
Stargate (MGM 1994);
Twister (Amblin Entertainment 1996);
The Mummy Returns (Universal Pictures 2001);
Star Wars: Episode II - Attack of the Clones (20th Century Fox 2002);
National Treasure (Walt Disney Pictures 2004);
DaVinci Code (Columbia Pictures 2006);
Lost Cities of the Ancients (BBC 2006 3 episodes);
Pirates of Caribbean: At World’s End (Walt Disney Pictures 2007);
National Treasure: Book of Secrets (Walt Disney Pictures 2007);
Angels and Demons (Columbia Pictures 2009).
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Friedmanová, L., Stanĕk, K. (2011). A Map in a Movie – the Role and the Usage. In: Ruas, A. (eds) Advances in Cartography and GIScience. Volume 1. Lecture Notes in Geoinformation and Cartography(). Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-642-19143-5_6
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DOI: https://doi.org/10.1007/978-3-642-19143-5_6
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