Reviewing the Definition of Timbre as it Pertains to the Perception of Speech and Musical Sounds

  • Roy D. Patterson
  • Thomas C. Walters
  • Jessica J. M. Monaghan
  • Etienne Gaudrain
Conference paper

DOI: 10.1007/978-1-4419-5686-6_21

Cite this paper as:
Patterson R.D., Walters T.C., Monaghan J.J.M., Gaudrain E. (2010) Reviewing the Definition of Timbre as it Pertains to the Perception of Speech and Musical Sounds. In: Lopez-Poveda E., Palmer A., Meddis R. (eds) The Neurophysiological Bases of Auditory Perception. Springer, New York, NY

Abstract

The purpose of this paper is to draw attention to the definition of timbre as it pertains to the vowels of speech. There are two forms of size information in these “source-filter” sounds, information about the size of the excitation mechanism (the vocal folds), and information about the size of the resonators in the vocal tract that filter the excitation before it is projected into the air. The current definitions of pitch and timbre treat the two forms of size information differently. In this paper, we argue that the perception of speech sounds by humans suggests that the definition of timbre would be more useful if it grouped the size variables together and separated the pair of them from the remaining properties of these sounds.

Keywords

Musical pitch Voice pitch Vocal timbre 

Copyright information

© Springer Science+Business Media, LLC 2010

Authors and Affiliations

  • Roy D. Patterson
    • 1
  • Thomas C. Walters
  • Jessica J. M. Monaghan
  • Etienne Gaudrain
  1. 1.Centre for the Neural Basis of HearingUniversity of CambridgeCambridgeUK

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